A RESEARCH ANALYSIS ON ENHANCED FABRICATION: INCORPORATING SUSTAINABLE COMPONENTS AND THE FABRICATION METHODS IN INDUSTRIES INDUSTRIAL DESIGNED

Wei Xi 1, Muralitharan Doraisamy Pillai1
1 Faculty of Social Science and Humanities, Lincoln University College, Malaysia
Email: weixi626@163.com
Abstract

This study explores the integration of sustainable materials and advanced fabrication methods in industrial design, assessing their potential to transform manufacturing while addressing environmental challenges. Through case studies and mixed-methods analysis—including surveys of 525 professionals and qualitative evaluations—the research identifies key strategies for reducing ecological footprints without sacrificing quality or efficiency. Key dimensions include renewable material selection, energy-efficient fabrication, and systemic barriers to large-scale sustainable manufacturing. Findings reveal a strong positive link (p < 0.05) between renewable energy adoption and eco-friendly material use, emphasizing clean energy’s role in sustainable processing. Four success factors emerge: material innovation (bio-based/recycled inputs), closed-loop systems, digital manufacturing (e.g., AI, 3D printing), and cross-sector collaboration. The study challenges the perceived trade-off between sustainability and performance, showing that integrated eco-design can enhance lifecycle efficiency, cut costs, and meet regulations. However, barriers like fragmented supply chains, limited lifecycle data, and inconsistent policies hinder adoption. The research proposes a unified sustainable fabrication framework, aligning technical feasibility with environmental goals. Implications extend to circular economy transitions, highlighting the synergy between material science and renewable energy. For policymakers and industry leaders, actionable insights are provided to overcome adoption challenges and scale sustainable solutions globally.

Keywords: Commercial goods, manufacturing methods, renewable design, green components, and renewable energy.

AIGC-Driven Inheritance and Innovation of Dong Architectural Ornamentation

Huang Qingchuan
Lincoln University College, Malaysia
Abstract

Amidst the global wave of cultural digitization, Dong architectural ornamentation faces challenges of intergenerational technique loss and innovation constraints. This study proposes an AIGenerated Content (AIGC)-driven preservation framework to address these issues through technological empowerment. A three-phase methodology—data revitalization, intelligent generation, and cultural validation—was developed.The process begins with multimodal data integration, combining 3D digitization and oral history documentation. A deep learning-based generative model is then applied to semantically reconstruct decorative elements. Finally, these outputs are tested in physical architectural practices.Empirical findings indicate marked improvements in design efficiency and cultural semantic preservation through human-AI collaboration. Artisan evaluations highlight a balance between cultural authenticity and innovative acceptability.The research positions AIGC as a “digital translator” of cultural DNA, establishing a dual validation mechanism that combines algorithmic interpretation with humanistic insight. This approach offers a replicable model for safeguarding intangible heritage in the AI era, using structured semantic mapping and iterative cultural feedback. The findings contribute to interdisciplinary innovation in both heritage preservation and generative AI applications.

Keywords: AIGC, Dong architecture, Cultural heritage preservation, Semantic reconstruction, Human-AI collaboration, Generative design

An Evaluation of The Methodology for Developing Fine Arts and Design Thesis Grounded on Practical Studio Knowledge

Yao Shaowen 1, Muralitharan Doraisamy Pillai1
1 Faculty of Social Science and Humanities, Lincoln University College, Malaysia
Email: 316287326@qq.com
Abstract

This study investigates the methodological framework for developing fine arts and design theses through practical studio knowledge, focusing on London’s contemporary art studios as dynamic spaces for creative exploration and knowledge generation. By analyzing the interplay between conceptualization processes and actual studio work, the research reveals how artistic practice informs theoretical development in academic contexts. The study employs a mixed-methods approach, combining quantitative analysis of 1,012 survey responses from art practitioners with qualitative examination of studio artifacts including sketchbooks, material assemblages, and prototypes. Key findings demonstrate a statistically significant relationship between structured conceptualization and successful studio outcomes (F = 899.119, p < 0.001), validating the hypothesis that deliberate ideation processes enhance practical execution. Factor analysis confirmed robust measurement validity (KMO = 0.901), while case studies illustrate three critical methodological strategies emerging from studio practice: autonomous experimentation, reflective iteration, and developmental progression. These approaches bridge the gap between theoretical frameworks and hands-on creation, offering replicable models for thesis development in arts education. The research highlights the studio’s dual role as both physical workspace and conceptual laboratory, where material engagement catalyzes innovative thinking. Particular emphasis is placed on how studio environments facilitate unexpected discoveries through what the study terms “controlled serendipity” – the deliberate cultivation of experimental conditions that allow for accidental breakthroughs while maintaining academic rigor. These insights contribute to ongoing discussions about practice-based research methodologies, providing concrete recommendations for arts educators and students navigating the thesis development process. The study ultimately proposes an integrated model of arts research that values process as much as product, demonstrating how studio-based knowledge production can yield both academic insights and artistic innovation.

Keywords: Interactive Media, Experimental Design, Data Innovation, Graphic Design as Arts.

An Examination Of Settler Colonialism And Its Environmental Effects On The New Deal's Public Artworks And Private Land Wall Paintings Throughout The Great Plains

Wan Yanping1, Muralitharan Doraisamy Pillai1
1 Faculty of Social Science and Humanities, Lincoln University College, Malaysia
Email: 542641488@qq.com

Abstract This study explores how settler colonial ideologies and environmental changes influenced New Deal-era public artworks and private land murals in the Great Plains. Through quantitative analysis (1833–1939), it reveals how these artworks reinforced settler colonial narratives during the Dust Bowl, masking Indigenous ecological knowledge while promoting agrarian expansion. Spatial and statistical analyses demonstrate strong correlations between art locations, environmental degradation, and colonial violence (e.g., the Red Indian Massacre), with New Deal art mythologizing frontier settlement and erasing Indigenous presence. Private murals idealized “productive” land use, while public art emphasized ecological recovery—a duality that obscured ongoing Indigenous dispossession. Challenging New Deal historiography, this research centers settler colonialism as key to understanding environmental art’s role in cultural hegemony. It highlights how art institutionalized settler ecological imaginaries, impacting land policies and memory. The findings call for decolonial approaches in art history, urging greater attention to Indigenous perspectives on place and sustainability. By reframing the Great Plains’ artistic legacy as a contested intersection of power, ecology, and aesthetics, the study underscores the need to reassess public art’s role in environmental justice and displacement narratives.

Keywords: Colonial governance, ecological studies, the modern era, public art, the Great Plains, mural painting, cultural histories.

An Investigation at The Inefficiencies Encountered Throughout The Animation Production Process

Jiang Junjun1, Muralitharan Doraisamy Pillai1
1 Faculty of Social Science and Humanities, Lincoln University College, Malaysia
Email: 80107400@qq.com
Abstract

The animation industry has grown rapidly, but inefficiencies in production workflows still cause delays, higher costs, and reduced productivity. This study examines key inefficiencies across preproduction, production, and post-production phases, using mixed-methods research, including surveys of 649 professionals and pipeline analyses from studios. Statistical analysis (SPSS 25, KMO = 0.980, Bartlett’s p = 0.000) identified poor communication as the biggest challenge, leading to misalignment, rework, and scheduling issues. Other inefficiencies included resource mismanagement, outdated tools, and poor collaboration between artistic and technical teams. Hypothesis testing confirmed a strong link between communication gaps and inefficiencies (F = 997.888, p < 0.05). Weak pre-production planning (e.g., unclear storyboarding) also led to costly post-production fixes. To improve workflows, the study recommends better project management tools, standardized communication practices, and adaptive training programs. These changes can enhance efficiency, reduce costs, and improve output quality. The findings offer actionable solutions for studios to optimize workflows in a competitive, technology-driven industry.

Keywords: Graphics production, Character Architecture, Time Management, Productivity difficulties, Creativity Workflow.

Exploring the Core Characteristics of Tari Silat: A Comprehensive Study

Mohd Nur Faillul bin Adam1
Pusat Pengajian Asasi Seni Kreatif,
Akademi Seni Budaya dan Warisan Kebangsaan
Email: faillul@aswara.edu.my
Abstract

This study investigates the core characteristics of Tari Silat, also known as Silat Pulut, as a traditional Malay performance deeply rooted in the martial art of Silat. Tari Silat is a significant component of Malay Silat in Malaysia; however, scholarly research on this element remains limited. Therefore, the primary aim of this study is to understand Tari Silat from the perspective of martial arts knowledge. The first objective is to examine the definition of Tari Silat within the framework of martial arts, exploring how it has adapted over time while retaining its foundational principles. The second objective focuses on the analysis of the style and structure of Tari Silat, with particular attention to the similarities and differences in movement, formation, core principles, and the philosophical foundations that underpin various forms of Tari Silat. The third objective is to identify and discuss the refined core characteristics of Tari Silat based on the findings of the analysis. These characteristics encompass movement vocabulary, form, structure, and symbolic values that collectively construct the identity of Tari Silat as a cultural performance rooted in martial tradition.

Keywords: Silat, Tari Silat, Malay Martial Arts, Martial Arts Heritage

Improving Indoor Surroundings with Appropriate Interior Design Services

Tang Jinsong, Muralitharan Doraisamy Pillai
1 Faculty of Social Science and Humanities, Lincoln University College, Malaysia
Email: 273560803@qq.com

Abstract

 

This study explores the transformative potential of sustainable interior design in enhancing indoor environments, with a focus on occupant well-being, ecological responsibility, and climateresponsive strategies. As global awareness of environmental challenges grows, the demand for eco-conscious design solutions has surged, necessitating a deeper understanding of how sustainable practices can harmonize aesthetics, functionality, and planetary health. The research investigates the interplay between stable climatic conditions and sustainable interior design, emphasizing how climate-adaptive materials, natural lighting, and ventilation systems contribute to healthier and more resource-efficient spaces.Central to this investigation is the role of designers in advancing sustainability through material selection, energy-efficient layouts, and biophilic principles. The study challenges conventional design paradigms by demonstrating that sustainable practices—such as using low-impact materials and optimizing passive design strategies—can simultaneously improve indoor air quality (IAQ), reduce environmental footprints, and enhance occupant comfort. By synthesizing insights from workshops, expert consultations, and empirical data, the research identifies key factors that bridge climate stability and design innovation, including temperature regulation, daylight utilization, and chemical-free material choices.The findings underscore the societal and professional imperative to integrate sustainability into interior design education and practice. Notably, the study reveals a statistically significant relationship between stable climatic conditions and the adoption of sustainable design practices, highlighting the urgency of climate-responsive design in mitigating environmental degradation. Practical implications include recommendations for policymakers, educators, and practitioners to prioritize eco-literacy, circular design principles, and occupant-centric solutions. Ultimately, this research advocates for a paradigm shift in interior architecture, positioning sustainability not as a niche trend but as a foundational pillar for future-proofing built environments.

Keywords: Wellness, Urban atmosphere, Workplace, Interior architecture, Strategy design, Designer.